Retsoor, “Retsoor Asks The ReStacks,”  Farewell Transmission, Winter 2024.

Maggie Nelson, Like Love, Graywolf Press, 2024.

Hettie Judah, Acts of Creation, Thames & Hudson, 2024.

John Powers, Technology and the Making of Experimental Film Culture, Oxford University Press, 2024.

Esmé Hogeveen, “Maggie Nelson’s ‘Like Love’ Explores the Magic of Paying Attention,” Frieze, May 28, 2024.

Jac Renée Bruneau, Stack of and for the ReStacks, Western Front, 2024.

Leeza Meksin, “Dani and Sheilah ReStack by Leeza Meksin,” BOMB Magazine, January 9, 2023.

Cherry Smyth, “Cuts in the Day Review," ArtMonthly, vol. 461, 2023.

Amy Melling, “Cuts in the Day,” Abundant Art, London, 2022.

Matthew Wayne Parkins, “Mathew Wayne Parkin talks to Dani and Sheilah ReStack about their show at Camden Art Centre,” MAP Magazine, November 2022.

Amanda Gluibizzi, “ReStacks in conversation with Amanda Gluibizzi,” Brooklyn Rail, October 31, 2022.

Amy Melling, “Dani and Sheilah ReStack: Cuts in the Day, Camden Art Centre - Now on until 15th Jan 23 - Review”, Abundant Art, October 24, 2022.

Maggie Nelson, “If A Bear Walks in the Door,” text for Cuts in the Day, September 30, 2022.

Genevieve Yue, “Interview: Dani and Sheilah ReStack,” Film Comment, June 21, 2022.

“Conversation Kunstverein Nürnberg: ReStacks with Maggie Nelson, Fox Hysen, and Molly Zuckerman Hartung,” February 16, 2022.

Leon Hosl, “Try Stack, Again Stack, Dream Stack, Feral Domestic,” artline online publication.

Kathleen Sachs, “The Banal, the Brutal, and the Beautiful,” The Chicago Reader, March 17, 2022.

“Daria Khan in conversation with Dani & Sheilah Restack,” Mamosa House, January 6, 2022.   

Colette Copeland, “Stack for Martha’s Sisters: Dani + Sheilah ReStack at FWCA,” Glasstire, October 11, 2021.

Sumin Choi, “Dani & Sheilah ReStack,” FemFlex Film Archive, January 31, 2021.

Jordan Cronk, “The Decade in Experimental Film,” Film Comment, January 14, 2020.

Michael Sicinski, “Come Coyote review,” Patreon, May 2019.

Herb Shellenberger, Come Coyote review for Berwick Film Festival, September 2019.

Matthew Parkin, Come Coyote review for Berwick Film Festival, 2019.

Ela Bittencourt, “Familiar Yet Strange: Shorts From This Year’s Projections Showcase at the NY Film Fest,” Hyperallergic, October 4, 2019.

Chris Domenick, “Dani and Sheilah ReStack in Conversation with Chris Domenick,” movement research, August 2018.

Theresa Wang, “Public Intimacies,” Comparative Media Arts Journal, 2018.

Phil Coldiron, “The Festival Beneath the Festival: Selections from Toronto International Film Festival 2017,” Brooklyn Rail, October 2017.

Jason Fouymberg, “Critics’ Picks,” Artforum, September 2017.

“Critics Roundup,” SOTD, October 2017.

Kelley Dong, “TIFF 2017. Correspondences #6,” Mubi, September 2017.

Michael Sicinski, “Strangely Ordinary this Devotion (Dani Leventhal & Sheilah Wilson, USA) — Wavelengths,” Cinema Scope Online, Fall 2017.

Sarah Hollenberg, interview, BlackFlash, no. 34.1, 2017.

Chris Stults, “Permission to Trespass: The Recent Videos of Dani Leventhal,” Experimental Response Cinema, January 31, 2015.

“54 Days this Winter 36 Days this Spring for 18 Minutes,” The Rusty Toque, May 30, 2014.

Anneka Herre, “Contact Sheet 177,” Light Work Annual, April 29, 2014.

Jenn Bratovich, “Alumni Spotlight: Dani Leventhal,” Women’s Studio Workshop, February 26, 2014.

Genevieve Yue, “Hide and Seek,” Museum of the Moving Image, Reverse Shot, April 5, 2013.

Brigid Reagan, “VDB Asks…Dani Leventhal,” Video Data Bank, November 2012.

Michael Sicinski, “Synchronize Your Senses,” Mike Hoolboom**, 2012.

James Cole, “I Want the Work to Be Useful,” Idiom, January 2012.

Christ Stults, “The Multitude of Visible Things: The Videos of Dani Leventhal,” Cinema Scope,  2011.

Rachel Wolff, “The New York Five,” New York Magazine, May 12, 2010.

Rachel Wetzler, “Dani Leventhal: Everyday Intuition,” MoMA PS1, 2010.