Xuezhu Jenny Wang, “Anina Major: “I could speak to one of many, or be one of many,” IMPULSE Magazine, January 17, 2025.

Steven Vargas, “Artist Anina Major Is Recontextualizing the Bahamian Narrative One Clay Plait at a Time,” Observer, April 3, 2025.

Great Women Sculptors, Phaidon Press, 2024.

Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers, Artisan Books, 2024.

Alicia Sheber, “Five artisans from the Caribbean diaspora to have on your radar," Wallpaper*, November 28, 2024.

Sarah Archer, “From Basketry to Clay, the Bahamas to New York,” The New York Times, November 8, 2024.

New Women’s Work: Reimagining feminine craft in contemporary art, Smith Street Books, September 2024.

Objects: USA 2024, R & Company and August Editions, August 2024.

Jenny Gill, “In the Studio: Anina Major,” Joan Mitchell Foundation, April 18, 2024.

“Inventing the Rest: New Adventures in Clay at Maximillian William, London,” Ceramics Now, July 21, 2023.

Ayanna Dozier, “3 Artists on the Role of the Caribbean in Environmental Art,” Artsy, April 17, 2023.

Martha Schwendener, “A Fair Where the Art Shines (Grandstanding Not Required),” The New York Times, November 3, 2022.

Artnet Gallery Network, “5 Fascinating Artists From the Artnet Gallery Network Having a Moment This Fall,” Artnet News, October 5, 2022.

Lauren Guilford, “Pick of the Week: Anina Major,” Artillery Magazine, September 2022.

Wendy Kaplan; Rosie Mills; Staci Steinberger; Bobbye Tigerman, “DA2 2022: Recent Decorative Arts and Design Acquisitions,” LACMA Unframed, September 29, 2022.

Folasade Ologundudu, “Thinking Through Place: A Conversation with Anina Major,” Sculpture, September 20, 2022.

Carlos Ortiz Burgos, “Caribbean Artists Eroding Sandcastles at Wave Hill,” The Latinx Project, July 6, 2022.

Maureen Sullivan, “Ceramics in the Expanded Field,” Sculpture, March 3, 2022.

Ryan Waddoups, “Saint Heron, Solange’s Creative Agency, Kicks Off Inaugural Ceramics Residency,” SURFACE, February 3, 2022.

Murray Whyte, “At Mass MoCA, ceramic art proves its power,” The Boston Globe, December 16, 2021.

Rachel Remick, “Artists Find Sanctuary at Socrates Sculpture Park,” Hyperallergic, November 3, 2021.

Brian Slattery, “Artists Find Art In Shells And Stars At Artspace,” New Haven Independent, October 8, 2021.

Pamela Reynolds, “At LaiSun Keane, Two Artists Investigate Identity And Belonging,” WBUR News, June 1, 2021.

Victoria L. Valentine, “On View: Tern Gallery of Nassau, Bahamas, Presenting Slate of Caribbean Artists at Online Atlantic World Art Fair,” Culture Type, June 1, 2021.

“Bahamas TERN Gallery to participate in Atlantic World Art Fair,” Eyewitness News Bahamas, May 27, 2021.

Pamela Reynolds, “Escape The House With These 15 Spring Art Exhibitions,” WBUR News, March 29, 2021.

Susannah Elizabeth Fulcher, “Anina Major Finds ‘No Vacancy in Paradise,” The Provincetown Independent, February 6, 2020.

“Love in the Time of Hysteria,” Document Journal, December 4, 2019.

Letita M. Pratt, “A Body of My Own,” The Nassau Guardian, July 7, 2018.

Holly Byone, “Troubling Narratives,” The Nassau Guardian, May 25, 2018.

Natalie Willis, “My mouth is a heartbreak,” The Nassau Guardian, April 28, 2018.

Ian Bethell-Bennett, “Locked in our bodies, a resurrection of voices,” March 24, 2018.

Emergency Index – an annual document of performance practice, vol. 6, December 2017.

Natalie Willis, “Heavy Crown To Bear,” The Nassau Guardian, January 7, 2017.

Sofia Ortiz, “Speaking Through Art, Rhode Island School of Design Student Stories Folding Time in Space,” Volume-1.org.

NE7 asks the experts: “Antillean: an Ecology,” The Bahamas Weekly, December 2014.

“My Flamboyant Teacups and Bowls, Ceramic Exhibition” (ACE 2013), The Bahamas Weekly, October 2013.

“ArtOvation with TaDa Interview,” The Bahamas Weekly, September 2012.

Clay Times; January/February 2010, The Gallery, 2010.